Name: Ghetto Gospel The New Testament
Brand: Ghetts

Tax rate EU

Default:19

Supplier EU

Universal Music GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2019-02-01

Format multiplier

Catalogue number

6788148

UPC / Barcode

602567881483

Artist

Ghetts

Label EU

Caroline

Genre EU

Hip Hop

Caroline Records is a renowned music label that has had an interesting history. Originally established as a European offshoot of Virgin in the 1970s, it was later revived in the 1980s as a distributor and pseudo-indie label under Virgin/EMI. In 2013, Universal Music brought back the brand through Capitol Music Group. Caroline Records serves as a label for various releases bearing the *Caroline* or *Caroline Records* brands, as well as fulfilling distributor and other company roles.

The catalog number formats used by Caroline have varied over time, with prefixes like *CAROL* and *CAR*. It is important to use these numbers exactly as they appear on the release to avoid any confusion. In recent years, Caroline also adopted the standard EMI numbering system alongside their CAROL-prefix numbers.

Similar to Island Records, Caroline has been inconsistent about incorporating the word "Records" into their logos and contact information throughout their history. However, on Discogs it is considered correct to always refer to them as *Caroline Records*, even if "Records" is not present. The oldest logo of Caroline was reintroduced for several new releases in the mid-2010s. While it may be more appropriate to omit "Records" from their name now, there are too many releases associated with this label to make such edits at this point.

Newest Listed Items

Konstantin Gropper, aka Get Well Soon releases his new album, The Horror. The album marks the fifth full length release from Get Well Soon and a new addition to a canon that has seen Get Well Soon record numerous Top 40 placings across mainland Europe alongside soundtrack work for the likes of Wim Wenders, scoring numerous TV and theatre productions and producing a wealth of artists ranging from platinum selling rappers to chamber pop ensembles. As befits such a polymath, The Horror is an expansive and intelligent album, musically complex and lyrically adept. Musically inspired by Nelson Riddle, Sinatra’s arranger and orchestrator, The Horror takes its lyrical focus from fear in all its forms, ‘as a motivator, as an obstacle, as a consultant and as a political weapon’ according to Konstantin and is thus, both concerned with the current moment but, also, it’s historical echoes. As Konstantin notes, ‘doing an escapist album just wasn’t an option, it’s just not the time for that’. Yet The Horror is not a sad album. It is defiant and humorous and musically lush and uplifting, a response to the state of things as opposed to a facsimile. Its scope encompasses ancient Arabic poems (Future Ruins Part 2), Hermann Goering’s hunting Chateau (Nightmare Number 2 (Dinner at Carinhall)) and US president Franklin Roosevelt (The Only Thing We Have To Fear) in its lyrical journey through time and space to reflect the realities of our time.

Ghetto Gospel The New Testament

Music EU