Name: Hosono House
Brand: Haruomi Hosono

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-04-28

Format multiplier

Catalogue number

126391

UPC / Barcode

826853017312

2018-09-28

126392

826853017329

Artist

Haruomi Hosono

Label EU

Light In The Attic

Genre EU

Folk

Light In The Attic (LITA) is an independent record label based in Seattle, Washington. Established in 2002 by two music enthusiasts, LITA began as a concert productions company before venturing into reissuing lost classics with modern packaging and production. With a passion for preserving and celebrating music history, LITA has become a respected authority in the industry.
Since its inception, LITA has been dedicated to unearthing forgotten gems and giving them new life. Their carefully curated catalog spans various genres and eras, showcasing the diversity of musical talent that may have otherwise been overlooked. From soulful R&B to psychedelic rock, LITA's releases are cherished by collectors and music lovers alike.
With their meticulous attention to detail and commitment to quality, LITA has gained recognition for their exceptional vinyl reissues. Each release is thoughtfully remastered from original tapes or best available sources, ensuring that the essence of the music is preserved while delivering an enhanced listening experience for modern audiences.

Light in the Attic

Haruomi Hosono, also known as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is widely regarded as one of the most influential musicians in Japanese pop music history. With his contributions to shaping the sound of Japanese pop for decades, he has also had a significant impact on international pop music. Haruomi's work has inspired genres such as city pop and Shibuya-kei.

Starting his career with the psychedelic rock band Apryl Fool, Haruomi gained recognition both nationally and internationally as a founding member of Yellow Magic Orchestra (YMO) and Happy End. Alongside these bands, he helped pioneer the electro genre and influenced the later development of techno and acid house.

In addition to his work with various bands, Haruomi has released numerous solo albums spanning different styles including film soundtracks and electronic ambient music. He has also produced music for other artists such as Akiko Yano, Sheena & The Roketts, Tatsuro Yamashita, Sandii & The Sunsetz, Miharu Koshi and Hajime Tachibana.

Newest Listed Items

The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono has put his unmistakable stamp on hundreds of recordings as a session player, producer, and auteur of his own idiosyncratic musical world. Born and raised in central Tokyo, his adolescent obsession with American pop culture informed his early forays into country music, which he would revisit later in his career. Hosono made his professional debut in 1969 as a member of Apryl Fool, whose heavy psychedelia was somewhat at odds with his influences, which leaned towards the rootsy sounds of Moby Grape and Buffalo Springfield. The latter was one of the main inspirations for his next group, Happy End, whose unique blend of West Coast sounds with Japanese lyrics proved to be highly influential over the course of three albums. After Happy End’s amicable break up in 1973, Hosono released Hosono House, an intimate slice of Japanese Americana recorded at home with a back-to-basics approach akin to Music from Big Pink or McCartney. While his former band helped pave the way for the rise of “city pop” that reflected upon urban themes and city life, Hosono took a 180 degree turn towards the countryside for his highly-regarded first solo album. Located an hour from Tokyo in Sayama, Saitama Prefecture, the actual Hosono House was one of several American-style houses originally built for the families of troops stationed at the nearby Johnson Air Base, active during the post-war occupation years. By the early ‘70s this small community had become a hub for creative types looking for a break from Tokyo’s hustle and bustle – and cheaper rent. For Hosono, this was as close as he could get to living in America without leaving his home country. With rooms filled to the edges with recording gear, the house became a live-in studio for Hosono and his crack band – soon to become known as the in-demand session group Tin Pan Alley. The songs on Hosono House display the breadth of Hosono’s talents, from the hushed acoustic folk of Rock-A-Bye My Baby and the country twang of Boku Wa Chotto to the New Orleans funk of Fuyu Koe and the unexpected breakbeats in Bara To Yajuu. Lauded by artists such as Jim O’Rourke and Devendra Banhart, Hosono House remains a touchstone of the early phase of Hosono’s career. Hosono’s solo career would take many twists and turns from this point forward, with forays into exotica, electronic, ambient, and techno, culminating in the massive success of techno pop group Yellow Magic Orchestra (YMO), who made their debut in 1978. Admired by artists ranging from Van Dyke Parks to Mac DeMarco, Hosono continues to forge ahead as he heads into his fifth decade as a musician. With the re- release of his key albums for the first time outside of Japan, his genius will be discovered by a whole new generation of fans around the world.

Hosono House

Music EU

Discover Hosono House by Haruomi Hosono on Light in the Attic. Available in LP and CD formats. A slice of Japanese Americana recorded at home, showcasing Hosono's diverse musical talents.