Name: The Ganzfeld EP
Brand: Matmos

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

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Download code: No

Bonus disc

Bonus disc: No

Release date

2012-10-23

Format multiplier

Catalogue number

5194241

UPC / Barcode

790377031515

Artist

Matmos

Label EU

Thrill Jockey

Genre EU

Matmos is an American experimental electronic duo active since the mid-1990s and based in Baltimore, Maryland. Named after a "seething lake of evil slime" from the cult sci-fi film Barbarella, Matmos gained prominence for their postmodernist approach and ability to create "listenable" music from bizarre objects. Their releases feature samples and sources ranging from amplified crayfish nerve tissue to solid gold coins and plastic riot police shields.

Daniel and Schmidt, the members of Matmos, create concept albums with diverse themes such as surgical procedures, Western/country genres, medieval music, various types of plastics, whirlpool washing machines, and ganzfeld experiments & parapsychology. They have been signed to labels like Matador Records and Thrill Jockey Records.

Throughout their career, Matmos has collaborated with guest musicians including Lesser, Jon Leidecker (Wobbly), Keith Fullerton Whitman, Dan Deacon, Jason Willett, Owen Gardner and members of Horse Lords, People Like Us, Matthew Herbert. They have also worked extensively with Björk on remixes as well as her albums Vespertine and Greatest Hits.

Thrill Jockey is an American independent record label that was established in 1992 by Bettina Richards, a former A&R representative at Atlantic Records. Originally based in New York City, the label relocated to Chicago, Illinois in 1995.
With over two decades of experience, Thrill Jockey has become a prominent force in the music industry. Known for its diverse roster of artists and commitment to artistic integrity, the label has consistently released groundbreaking and innovative music across various genres.
Thrill Jockey's catalog includes a wide range of critically acclaimed albums from both established and emerging artists. From experimental rock to electronic music, jazz to folk, the label continues to push boundaries and support unique voices within the industry.

Newest Listed Items

The Consuming Flame: Open Exercises In Group Form is both a tongue-in-cheek rebuttal to the backlash against “conceptronica”, and their most ambitious project to date. The record is oriented around a deceptively simple commitment. 99 different musicians were asked to contribute: they could play anything that they wanted, but the tempo of any rhythmic material had to be set at 99 beats per minute. The resulting album is a three-hour long assemblage that’s a kaleidoscope of genre, mood and density, while all synchronized to a constant underlying tempo. There’s a relentless forward-motion keeping more with traditions of pirate radio and mixtapes than the traditional album format. The Consuming Flame was composed through the act of invitation, and the album’s 99 participants are, even for Matmos, wildly eclectic. Some collaborators have worked with Matmos for years (J. Lesser, Jon “Wobbly” Leidecker, Mark Lightcap, Josh Quillen of So Percussion, Vicki Bennett) and some are near total strangers. There are players from the conservatory-trained world of “new music” (Kate Soper, Bonnie Lander, Ashot Sarkissjan, Jennifer Walshe) and figures from the extreme music underground (Blake Harrison of Pig Destroyer, Kevin Gan Yuen of Sutekh Hexen, Terence Hannum of Locrian), as well as auteurs from the world of “noise” music (Twig Harper, Moth Cock, Bromp Treb, Id M Theft Able) as well as writers (Douglas Rushkoff, Colin Dickey), and conceptual artists (Heather Kapplow). There’s distinguished alumni and contemporary luminaries of electronic music (Jan St. Werner and Andi Toma of Mouse on Mars, Daniel Lopatin, DeForrest Brown Jr., J. G. Thirlwell, Matthew Herbert, Rabit, Robin Stewart and Harry Wright of Giant Swan) and artists associated with indie rock and folk traditions (Ira Kaplan, Georgia Hubley and James McNew of Yo La Tengo, Marisa Anderson), and undergraduates who took M.C. Schmidt’s “Sound As Music” course during the final year of The San Francisco Art Institute’s existence. The resulting submissions were layered onto each other, prompting later recording sessions which then built upon the first wave of contributions. These discrete zones were then collaged into larger and larger units and more contributors were invited to join until, gradually, the “group form” of three distinct hourlong movements emerged. Part exquisite-corpse &amp; part virtual festival, the results retain Matmos’ distinct and unique voice despite the promiscuously open nature of these collaborations.

The Ganzfeld EP

Music EU