Name: Up On Gravity Hill
Brand: Metz

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Embossed Sleeve.

Colour details

Discogs ID

Limited edition

Colour

Yellow

Format Music EU

Extended format

Extended format: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2024-04-12

Format multiplier

Catalogue number

SP1560X

UPC / Barcode

098787156003

Yellow LP

Standard:20

Gatefold Altpack

Extended format: No

SPCD1560

098787156027

Artist

Metz

Label EU

Sub Pop

Genre EU

Alternative / Modern

METZ is a noise rock band from Canada. Formed in Ottawa, Ontario, in 2007 by guitarist/vocalist Alex Edkins and drummer Hayden Menzies, two longtime friends. After a year of working on material, Edkins and Menzies moved to Toronto and expanded to a trio with the addition of bassist Chris Slorach.

The lineup consists of Alex Edkins on guitars and vocals since 2007, Hayden Menzies on drums since 2007, and Chris Slorach on bass since 2008.

Influenced by noise rock pioneers like The Jesus Lizard and Drive Like Jehu, METZ has developed their own unique sound characterized by raw energy and intense performances. With their relentless live shows and critically acclaimed albums, they have gained a dedicated following worldwide.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Newest Listed Items

With time, we come to understand the way the joy of connection is mirrored by the void of loss, how the constancy of love is matched only by the impermanence of life, the simple idea that we could not create light if we did not risk the dark - we’d never need to.

So it is with Metz, a band once known for blowing out eardrums with songs of joyous rage who have, over their past few records, begun exploring ways to turn abrasiveness into atmospherics, the evolution of their sound not only a reflection of the maturing of the band themselves but also of a changed world that demands nuance and compassion to comprehend and to survive.

It was a journey already underway on 2020’s Atlas Vending, but one that reaches new heights on Up On Gravity Hill, where the Canadian trio creates a kaleidoscopic sonic world as tender as it is dark, aided once again by engineer Seth Manchester (Mdou Moctar, Lingua Ignota, Battles, The Body). Deep, detailed, and unyieldingly personal, it is not only Metz’s most powerful record to date but also their most beautiful.

Still three punks from Ontario at heart, guitarist and vocalist Alex Edkins, drummer Hayden Menzies, and bassist Chris Slorach waste no time as opener “No Reservation/Love Comes Crashing” sweeps in like a wave, sonically and thematically setting the scene for the record to come. A dynamic song about feeling suspended in stasis, layers of dissonance melt into a restlessly heady outro marked by escalating crescendos of shimmering noise that reach for the stars—and is that a violin quivering brightly beneath those elegant swells of guitar, those charging drum fills, those intricate bass lines? It is indeed, courtesy of composer Owen Pallett; his presence an immediate indicator that Metz are thinking more cinematically than ever before.

The change is partially inspired by Edkins’ work as a scorer for film and television and his pop-leaning solo project, Weird Nightmare, where, he says, he learned to write more intuitively, letting his emotions lead the way. But make no mistake: Up On Gravity Hill is a total band effort, the work of three musicians who have been playing together for over a decade, with all the trust that entails.

For those who believe in the power of the rock band to exemplify the highest resonance of human connection, there is much on Up On Gravity Hill to lift the spirit, a puzzle worth repeated listening to unlock or just to get lost in again and again. Rather than the music being flattened into a single plane, the band explores “the space above the cymbals,” resulting in some of the most spacious, sympathetic, and accessible songs—could we call them pop?—of their career. If this seems contradictory, well, Metz has always been something of a contradiction. “We’ve never been heavy enough for metal or hardcore purists, but we're way too heavy for indie rock. We just don't have a lane—and that's okay. We exist outside the lines of delineation. I think this record is even more like that,” says Edkins.

Up On Gravity Hill

Music EU

Discover Up On Gravity Hill by Metz. A powerful and beautiful record that explores the evolution of their sound. Available in various formats from Sub Pop.