Name: Black Encyclopedia of the Air
Brand: Moor Mother

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2022-01-14

Format multiplier

Catalogue number

5222211

UPC / Barcode

8714092783810

2021-10-22

5211632

8714092783827

Artist

Moor Mother

Label EU

Epitaph Europe

Genre EU

Hip Hop

Active since 2012, Moor Mother is an artist who specializes in producing a unique blend of blk girl blues, project housing bop, and black ghost songs. With her distinctive style and powerful voice, she has captivated audiences worldwide. Through her music, Moor Mother explores themes of identity, race, and social justice. Her thought-provoking lyrics and experimental soundscapes have earned her critical acclaim and a dedicated fan base. Experience the raw emotion and undeniable talent of Moor Mother's music today.

Epitaph

Newest Listed Items

Moonshake’s debut album Eva Luna is back in print with a deluxe edition re-mastered from analogue 1⁄2” tape on double blue vinyl. The reissue contains 19 tracks which equal the album’s original 10, The non-LP three-song single “Secondhand Clothes”, the two b-sides from the “Beautiful Pigeon” single and four tracks from a November 1992 John Peel session. The release also includes an 8-page full-colour booklet.Moonshake was formed in 1991 by David Callahan (vocals, guitars, samplers), formerly of The Wolfhounds, and New York musician Margaret Fiedler (vocals, guitars, samplers). Callahan and Fiedler recorded a demo for Creation Records, and were joined by John Frenett (bass) and Miguel Morland (“Mig”, drums) to record and release the First EP for Creation in 1991 . They took their name from a 1973 single by Can. Both Fiedler and Callahan wrote songs, and they would (generally) sing on the songs that they wrote. Their output of shared inspiration produced wildly different results - Can, PIL, Kraftwerk, MBV, Erik B and Rakim were a melting pot that made Moonshake somewhat uncategorizable, and as Margaret noted in an interview, “Moonshake was a collision - it was supposed to be a collision.”Their debut album Eva Luna took its name from a novel by Chilean author Isabel Allende and the tracks on it are split evenly between the two songwriters. Callahan’s songs are somewhat angry, dissonant, post-punk affairs, while Fiedler’s are just as angular, but her quieter sometimes near whispered vocals compliment her writing partner’s equally. Producer/engineer Guy Fixsen, fresh from his work on My Bloody Valentine’s Loveless, was instrumental in making the album cohesive.This album has been critically revisited often since its original release, with Tiny Mix Tapes describing their sound as “an updated take on Can and Public Image Limited’s rhythmic propulsion with noisier guitar work and a predilection for sampling influenced by The Young Gods.” Last year, in a wonderfully long piece to celebrate the album’s 30th anniversary, Louder Than War wrote that they were blown away by the album’s “utterly spellbinding, dizzyingly genre-defying approach at articulating explicitly the sound of a city in the throes of urban psychosis and derangement...Eva Luna really is one hell of a ground-breaking record, and it stands resolutely alone among all of the albums released in 1992 as no other band has managed to create anything remotely similar before or since. It really is a unique album with few equals.”In 1993, the original incarnation of the band split up, and Margaret Fiedler and John Frenett went on to form Laika with Guy Fixsen. Callahan and Morland continued on with guest musicians, with Callahan ultimately remaining the band’s sole original member. Moonshake ended in 1997 but their legacy is indisputable.

Black Encyclopedia of the Air

Music EU