Name: Feorm Falorx
Brand: Plaid

Tax rate EU

Default:19

Supplier EU

Rough Trade

Total Cap

Format detail

LP+DL

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: Yes

Bonus disc

Bonus disc: No

Release date

2022-11-11

Format multiplier

Catalogue number

WARPLP356

UPC / Barcode

5060263729815

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Plaid

Label EU

Warp

Genre EU

Electronic

London duo Ed Handley and Andy Turner started recording as Plaid while still members of Black Dog Productions. The first Plaid album, *Mbuki Mvuki*, was released in 1991. In 1995, Ed and Andy ended their five year collaboration with Ken Downie and left The Black Dog. Plaid released the *Not for Threes* EP that same year, and the pair began rechanneling their efforts full-time.

Plaid's music is often described as a fusion of electronic genres such as IDM, techno, and ambient. Their sound is characterized by intricate rhythms, lush melodies, and a unique blend of organic and synthetic elements. Drawing inspiration from various sources including science fiction literature and visual art, Plaid creates immersive sonic landscapes that captivate listeners.

With a discography spanning over three decades, Plaid has established themselves as pioneers in the electronic music scene. They have collaborated with renowned artists such as Björk and have remixed tracks for artists like Goldfrapp and Depeche Mode. Known for their captivating live performances, Plaid continues to push boundaries with their innovative approach to music production.

Warp is a British electronic label founded by Steve Beckett, Rob Mitchell (RIP 2001), and Robert Gordon. It is one of the world's most respected and influential electronic/experimental dance labels. Originally based in Sheffield, UK, Warp later moved to London. They are known for their pioneering digital music sales site Bleep.com, which offered high-quality MP3s for sale along with exclusive tracks and rarities. Warp has several related labels including Warp Records Limited, Warp Music Publishing, Lex Records, Arcola, LuckyMe, and Night Slugs. The label's history is documented in the book "Warp" by Rob Young.

In terms of releases, there are some gaps and unreleased albums/singles within the cat#s. For example, WARP 13/WARP 99/WARP 113 have no releases; WARP 93 is an unreleased album by Priest; WARP 109 is an unreleased album by Squarepusher; WARP 118 is an unreleased album by Chris Morris. There are also some interesting facts about certain singles such as WAP 13 being supposedly unreleased but some copies of WARP LP 1 were pressed with this cat#. Additionally, WAP 85 was intended for Jimi Tenor's "[m=43418]" but ended up being released by Rough Trade Germany without a Warp cat#. 

It's worth noting that many Warp releases were licensed to

Newest Listed Items

On the cusp of their 30th year with British indie Warp Records, Plaid return with a joyous new studio album, Feorm Falorx. From their playful early releases in the late 80's until now, they have explored diverse musical styles and embraced new methods of synthesis whilst maintaining a musical thread that spins back through the early Hip Hop scene of their youth and beyond to the sounds of the late 60s and 70s that inspired it. Plaid have toured extensively and collaborated widely over the years, writing for and performing with sonic researchers, percussion groups, solo artists and orchestras, most recently for the BBC Concert Orchestra. They have written for computer games and scored several feature films, one of which, Tekkon Kinkreet, was awarded the Japan Academy Prize for Animation of the Year.This eleventh studio album finds our duo, Ed Handley and Andy Turner, recreating a recent performance at the Feorm Festival, an intergalactic festival held on the planet Falorx. In order to survive the Falorxian atmosphere they were converted into light so the traditional recording devices they'd taken on 'The Campbell' were not functional. Fortunately, having consulted Earth's Space Agency, it was deemed safe to recreate the performance back in their London studio. Extensive testing of the resulting recordings have established a level of thought contamination deemed, “perfectly acceptable.”

Feorm Falorx

Music EU