Name: Love Streams
Brand: Tim Hecker

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2016-04-08

Format multiplier

Catalogue number

5125332

UPC / Barcode

652637361421

Download code: Yes

5125331

652637361414

Artist

Tim Hecker

Label EU

Genre EU

Electronic

Tim Hecker is an electronic musician and sound artist based in Los Angeles, United States and Montreal, Canada. He has gained international recognition for his unique recordings released under his own name. With a background in government work, Hecker's music showcases his innovative approach to electronic soundscapes.

Originally recording under the moniker Jetone, Tim Hecker has since established himself as a prominent figure in the electronic music scene. His atmospheric compositions blend elements of ambient, drone, and experimental genres to create immersive sonic experiences.

With a career spanning over two decades, Tim Hecker continues to push boundaries with his captivating soundscapes. His ability to manipulate and transform sounds into emotive narratives sets him apart as a visionary artist in the realm of electronic music.

The influential 4AD label was started in 1980 by music enthusiasts Ivo Watts-Russell and Peter Kent with financial help from Beggars Banquet, whose record store chain the pair worked for. Originally called Axis, they released an initial series of four 7" singles before finding out that the name Axis was already being used by another label. They quickly came up with a new name, 4AD, inspired by typography on a flyer announcing their releases. Under Ivo Watts-Russell's guidance, drawing influence from other UK indie labels such as Beggars Banquet, Postcard Records and Factory, 4AD quickly established a unique identity thanks to both the cover designs of Vaughan Oliver/v23 and the label's unique numbering system.

In 1992, 4AD entered a highly publicized Stateside distribution deal with Warner Bros. Records, opening offices in New York headed up by Robin Hurley. The label was largely run from California for most of the decade after Ivo Watts-Russell moved to Los Angeles in the mid-90s. In November 1999 it was announced that Martin Mills had taken over as chairman and relocated its HQ to London.

Decoding their unique numbering system reveals various formats like mail-order only releases (4AD), LPs (CAD), MP3 downloads (EAD), posters (FAD), videos (VAD) and more. The numeric portion of their catalog numbers

Newest Listed Items

Canadian composer Tim Hecker releases his latest album 'Love Streams', and first record for 4AD. 'Love Streams' takes its cues from the avant-classical orchestration and extreme electronic processing of his previous full-length, 2013's 'Virgins', but shaped into more melancholic, ultraviolet hues. Inspired by notions of 15th century choral scores (particularly those by Josquin des Prez), transposed to an artificial intelligence-era language of digital resonance and bright synths, the album was assembled gradually, with layers of studio-tracked keyboards, choir and woodwinds being woven into the mix, then molded and disfigured through complex programming. Like hearing some ancient strain of sacred music corrupted by encryption, Hecker admits to thinking about ideas like "liturgical aesthestics after Yeezus" and the "transcendental voice in the age of auto-tune," during its creation. The 'Love Streams' sessions took place throughout 2014 and 2015 at Greenhouse Studios in Reykjavik, Iceland - where parts of both 'Virgins' and 'Ravedeath, 1972' were tracked - with Hecker reuniting with the same crew of collaborators from 'Virgins' (Kara-Lis Coverdale, Grímur Helgason) and bolstered by the Icelandic Choir Ensemble, whose vocal arrangements were scored by Icelandic composer Johann Johannsson. The title of Hecker's new work can be interpreted any number of ways - erotic, technological, spiritual - although his own conception is appropriately vast, calling it "a riff on the ubiquity and nihilism of streaming of all forms of life." Now we stream more than we love. Nowadays music too frequently resembles a product, or white noise. With a career spanning fifteen years, Tim Hecker belongs to a select camp actively resisting this undertow, this reduction in significance.2LP - Double Vinyl with Download.

Love Streams

Music EU