Name: Bills & Aches & Blues
Brand: Various

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

40 years of 4AD

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2021-07-23

Format multiplier

Catalogue number

5207581

UPC / Barcode

191400035812

5207582

191400035829

Artist

Various

Label EU

Genre EU

Alternative / Modern

The influential 4AD label was started in 1980 by music enthusiasts Ivo Watts-Russell and Peter Kent with financial help from Beggars Banquet, whose record store chain the pair worked for. Originally called Axis, they released an initial series of four 7" singles before finding out that the name Axis was already being used by another label. They quickly came up with a new name, 4AD, inspired by typography on a flyer announcing their releases. Under Ivo Watts-Russell's guidance, drawing influence from other UK indie labels such as Beggars Banquet, Postcard Records and Factory, 4AD quickly established a unique identity thanks to both the cover designs of Vaughan Oliver/v23 and the label's unique numbering system.

In 1992, 4AD entered a highly publicized Stateside distribution deal with Warner Bros. Records, opening offices in New York headed up by Robin Hurley. The label was largely run from California for most of the decade after Ivo Watts-Russell moved to Los Angeles in the mid-90s. In November 1999 it was announced that Martin Mills had taken over as chairman and relocated its HQ to London.

Decoding their unique numbering system reveals various formats like mail-order only releases (4AD), LPs (CAD), MP3 downloads (EAD), posters (FAD), videos (VAD) and more. The numeric portion of their catalog numbers

Newest Listed Items

In 2020, 4AD turned 40. Never one to be on time for a party, the label is commemorating that landmark this year with the release of Bills and Aches and Blues. The compilation features 18 of its current artists covering a song of their choosing from 4AD’s past: a creative experiment rooted in the spirit of collaboration and a snapshot of 4AD, 41 years after its inception.Bills and Aches and Blues’ 18 recordings contain fascinating connections between artist and track. The earliest song chosen (by U.S. Girls) is The Birthday Party’s Junkyard, from 1981; the most recent are the two Grimes covers (‘Genesis’ and ‘Oblivion’, respectively by Spencer. and Dry Cleaning) from 2012. Suitably, for the one band that bridges 4AD past and present, The Breeders are all over Bills And Aches And Blues. They’re covered three times – ‘Cannonball’ by Tune-Yards, ‘Mountain Battles’ by Bradford Cox of Deerhunter and ‘Off You’ by Big Thief, whilst The Breeders cover ‘The Dirt Eaters’ by their ‘90s contemporaries His Name Is Alive.Landmark songs such as ‘Cannonball’, ‘Song To The Siren’ and Pixies’ ‘Where is My Mind?’, will feel comfortable to casual fans, however by contrast, much joy can be found in the album’s surprise choices, such as Air Miami’s ‘Seabird’ and the Lush B-side ‘Sunbathing’, covered respectively by new signings Maria Somerville and Jenny Hval.Bills and Aches and Blues is named, arguably (as Elizabeth Fraser never published the lyrics) after the opening line of Cocteau Twins ‘Cherry-Coloured Funk’. Perhaps too unique and uncoverable in their own right, their legendary take on Tim Buckley’s ‘Song To The Siren’, under the name This Mortal Coil (along with Buckley’s pre-Starsailor acoustic version) informs SOHN’s cover.Some tracks unearth hitherto hidden shared DNA, such as Future Islands’ and Colourbox’s ‘The Moon Is Blue’; other tracks are more akin to reinvention. Aldous Harding distils the melodic essence of Deerhunter’s ‘Revival’ and recasts it in her own uncanny image. U.S. Girls’ future-disco ‘Junkyard’ and Bing and Ruth’s neo-classical instrumental ‘Gigantic’ are even more radical interpretations. Leading off the album, Tkay Maidza brings both her Art Rap and R&amp;B game, but also an unexpected ‘80s synth pop template, to Pixies’ ‘Where Is My Mind?’, a perfect title for these chaotic times.TRACKLISTING Side 1: 01 Tkay Maidza Where Is My Mind? (Pixies) 02 U.S. Girls Junkyard (The Birthday Party) 03 Aldous Harding Revival (Deerhunter) 04 The Breeders Dirt Eaters (His Name Is Alive) 05 Maria Somerville Seabird (Air Miami) Side 2: 06 Tune-Yards Cannonball (The Breeders) 07 Spencer. Genesis (Grimes) 08 Helado Negro Futurism (Deerhunter) 09 Efterklang Postal (Piano Magic) 10 Bing and Ruth Gigantic (Pixies) Side 3: 11 Future Islands The Moon Is Blue (Colourbox) 12 Jenny Hval Sunbathing (Lush) 13 Dry Cleaning Oblivion (Grimes) 14 Bradford Cox Mountain Battles (Breeders) Side 4: 15 SOHN Song To The Siren (Tim Buckley) 16 Becky and The Birds The Wolves Act I and II (Bon Iver) 17 Ex:Re Misery Is a Butterfly (Blonde Redhead) 18 Big Thief Off You (The Breeders)

Bills & Aches & Blues

Music EU