Name: Boogie At Midnight (Take 1) / Lawdy Miss Clawdy (Take 1)
Brand: Roy Brown / Lloyd Price

Bonus disc

Bonus disc: No

Catalogue number

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-11-27

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

029667026772

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Total Cap

1 / 7" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Roy Brown / Lloyd Price

Genre GB

Rockabilly / 50s Rock 'n' Roll

Label GB

Ace Records is a UK label that was conceived in the 70s by Ted Carroll, Roger Armstrong, and Trevor Churchill. Originally selling secondhand 45s on a London market stall, they later set up Chiswick Records and focused on releasing work by "pub rock" bands. As the 80s arrived, Ace shifted its focus to the reissue market and became known as Ace Records of Camden Town. Today, Ace has established itself as a reputable name in the reissue market with numerous sub-labels catering to various musical styles.

With an extensive catalog spanning R&B, blues, soul, funk, jazz, rock 'n' roll, folk, country, punk, rockabilly, psychobilly, cajun,z ydeco,and world music,Ace offers something for every music lover. In addition to their own releases,Ace frequently licenses and acquires labels like Flair and Modern which allows them to reissue original releases and compile new ones in different formats.

It's worth noting that LP releases from Ace have been reissued under the same cat# but with different label designs over time. When submitting requests or searching for specific releases,it's important to include both an indication of the label design present and supporting images if possible.

R&amp;B lovers will need no introduction to Roy Brown’s ‘Boogie At Midnight’ or Lloyd Price’s ‘Lawdy Miss Clawdy’, but these recently discovered first takes put a whole new perspective on two proven classics. The fast and furious ‘Boogie At Midnight’ makes the issued 1951 master sound like a lullaby in comparison, while ‘Lawdy Miss Clawdy’ has an alternate opening line that would have guaranteed no airplay back in 1952. Both tracks are taken from new transfers of the original acetate and tape sources, and both play loud and proud. Each side offers a representation of the original label designs that would have been used had they been issued at the time of recording. No self-respecting R&amp;B singles collector will want to be without a copy of this essential commemorative 7-incher featuring two of the greatest names in 1950s black American music. 

Boogie At Midnight (Take 1) / Lawdy Miss Clawdy (Take 1)

Music GB