Faith Coloccia’s music as Mamiffer behaves as a living organism that feeds off its surroundings as it multiplies and evolves to live inharmony with its environment. This malleability is presented in Mamiffers’s latest record, Mettapatterning for Constellation. The album features two incarnations of a single composition by Coloccia, commissioned by the Sacrum Profanum Festival in Krakow, Poland.Side A documents the 2017 live presentation of Mettapatterning for Constellation as performed by the Półdzielnia Muzycznacontemporary ensemble, orchestrated by Eyvind Kang, conducted by Mateusz Rusowicz, and mixed by Randall Dunn. The B side features the initial pre-notation home recording of the composition, “))((Mettapatterning for Constellation <ll>,” as performed by Faith Coloccia, Aaron Turner, and percussionist Jon Mueller. Together the two tracks not only depict the emotional depth and texturalvibrancy of Coloccia’s vision, they model the organic breadth and variability of the work. The two versions have distinct intentions and diametric harmonic spiritual relations. A perfect metaphor for Mettapatterning would be that of eukaryotic organisms: those that can live freely as single cells, but can also aggregate together to form multicellular reproductive structures, just as a lo-fi 4-track creation can evolve into its own distinct, transcribed, and orchestrated form when presented to the world. -Brian Cook, August 2020