Name: We Love to Look at the Carnage
Brand: Wrekmeister Harmonies

Bonus disc

Bonus disc: No

Catalogue number

LP-THRILL-510X

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Colour

Orange

Colour details

Orange Vinyl

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Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music US

Limited edition

Release date

2020-02-21

Signed copies

Signed copies: No

Supplier US

Tax rate US

Sales:8.875

UPC / Barcode

790377510119

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Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / orange

LP-THRILL-510

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Black

Black Vinyl

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Download code: No

Extended format: No

Redeye

790377051018

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Wrekmeister Harmonies

Genre US

Metal

Label US

Thrill Jockey

Wrekmeister Harmonies is a project led by Chicago sound and video artist J.R. Robinson, known for his collaborations with other talented musicians. With a unique blend of experimental sounds, Wrekmeister Harmonies has carved out their own niche in the music industry.
Inspired by a diverse range of artists such as Fvnerals, Mamiffer, Locrian, and The Body, Wrekmeister Harmonies pushes boundaries and explores new sonic territories. Their music captures the listener's attention with its haunting melodies and atmospheric compositions.
With influences from genres like drone metal, post-rock, and ambient music, Wrekmeister Harmonies creates immersive experiences that transport listeners to another realm. Their collaborations with renowned artists like Emma Ruth Rundle and Jesu further enhance their musical prowess.

We Love to Look at the Carnage the 5th album by Brooklyn’s Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his BC Studios. Wrekmeister Harmonies, known for their large ensemble performances and intense recordings, create immense tension with spare arrangements and instrumentation. We Love to Look at the Carnage charts a restless journey beginning in the middle of the night and ending in the wee hours of the morning. Robinson’s brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw’s ethereal vocals dueling with Robinsons baritone create a delicious tension. Her stellar keyboard and violin work are on full display providing moments of calm.

We Love to Look at the Carnage

Music US