Name: Psalm 69
Brand: Ministry

Tax rate EU

Default:19

Supplier EU

Warner Music Group Germany Holding GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2011-08-26

Format multiplier

Catalogue number

8122797601

UPC / Barcode

81227976019

1992-07-10

7599267272

75992672726

Artist

Ministry

Label EU

Rhino

Genre EU

Alternative / Modern

Rhino Records, also known as Rhino, is a renowned music label that was established in 1973 by Richard Foos. Starting as a record store in Westwood California, Rhino quickly gained recognition with its first successful release "Go To Rhino Records" by Wild Man Fischer in 1975. The label's early logo featured "Rocky the Rhino" and focused on novelty, surf, local new wave bands, and reissues of out-of-print records from other labels.

Under the guidance of Bill Inglot for production, Ken Perry for mastering, and A&R team Gary Stewart and James Austin, Rhino expanded its catalog to include a wide range of reissues by the mid-1980s. The label underwent a logo redesign during this time period to simply "Rhino". In 1984, Rhino released its first CD and became known for manufacturing high-quality CDs made by Sanyo (1984-85) and various manufacturers from Japan or Switzerland thereafter.

In 1985, Rhino entered into a distribution deal with Capitol Records which lasted until 1992. This partnership allowed access to Capitol's back catalog and led to the release of reissues of old Capitol albums. Additionally, EMI and Rhino acquired the Roulette family of labels in 1989. As their deal with Capitol came to an end in 1992, Time-Warner offered an opportunity for growth. Half of the label was sold to Time-Warner

Ministry is the brainchild of Al Jourgensen. Beginning in 1981, playing synth-pop with a strong disco influence, they released their first 12" on Wax Trax! Records, before being signed to Arista and releasing their debut "With Sympathy," in 1983. After a falling out with the label and the direction of the project, Jourgensen returned to Wax Trax! to release a series of 12" Singles, including "Everyday Is Halloween," which became an instant club favorite and would go on to become one of the band's most popular songs.

Jourgensen then signed to Sire/Warner Bros. Records in 1985. Ministry's second album "Twitch," was produced by Adrian Sherwood, and had a more menacing sound reflecting Jourgensen's interest in the international EBM (electronic body music) scene of the time. Ministry's third album, "The Land of Rape and Honey," (1988), was both a natural evolution of their aesthetic and a sharp break with previous pop tendencies and, with the arrival of Paul Barker and other new members, Ministry's sound developed into a crossover between EBM, industrial, and heavy metal.

Their experimentation with heavy metal continued with subsequent albums like "The Mind Is A Terrible Thing To Taste" (1989) where guitar took on much more importance to their sound. Ministry's breakthrough album, "Ps

Newest Listed Items

The increasingly heavy sound of ministry hit its peak in the form of 1992's Psalm 69. Though the industrial band had it roots in dance-pop, frontman Al Jourgensen led the band in a progressively guitar-laden direction beginning in the late '80s, and essentially disowned his more accessible earlier recordings. Ministry's dedication to loud, aggressive music is fully on display here with the lumbering opener "N.W.O." a politically charged track that takes the first Bush administration to task amidst a barrage of rumbling bass, propulsive beats, crushing guitar riffs, and Jourgensen's trademark distorted vocals. Released as a single before the album itself, the rambunctious "Jesus Built My Hotrod" proved to be another highlight, with Butthole Surfers vocalist Gibby Haynes sitting in on a session of high-octane absurdity. Throughout the album the sonic ferocity is relentless, whether on the break-neck speed-metal of "TV II"' or the scathing chaos of "Corrosion". Oddly enough, this blisteringly intense outing proved to be Ministry's most successful record, leading to a high-profile stint on the second Lollapalooza Tour. One of the heaviest albums ever to achieve mainstream success, Psalm 69 is a snapshot of Ministry at its uncompromising best.

Psalm 69

Music EU