Name: Late Checkout
Brand: Dent May

Bonus disc

Bonus disc: No

Catalogue number

CAK145CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-08-21

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

677517014525

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Dent May

Genre GB

Singer Songwriter

Label GB

Carpark

Carpark is an independent record label based in Washington, D.C. with a focus on electronic, experimental and synth-pop sounds. Founded in New York City in 1999, Carpark has been a prominent player in the music industry for over two decades. Since its relocation to D.C. in 2005, the label has continued to nurture and promote innovative artists who push boundaries and challenge conventions.

With a diverse roster of talented musicians, Carpark has become synonymous with cutting-edge music that defies categorization. From *Toro y Moi*'s dreamy electro-pop to *Speedy Ortiz*'s raw indie rock, each artist on the label brings their own unique style and perspective to the table.

As an influential force in the music scene, Carpark consistently releases groundbreaking albums that captivate listeners worldwide. With their finger on the pulse of emerging trends and sounds, they have earned a reputation for discovering exciting new talent before anyone else.

Dent May is a talented drummer and singer known for his unique blend of indie pop and psychedelic sounds. With influences ranging from 60s pop to modern electronic music, Dent May has carved out a niche for himself in the music industry. His catchy melodies and introspective lyrics have garnered him a dedicated fanbase, and he continues to captivate audiences with his energetic live performances.

Often compared to artists like Tennis, Foxygen, and Neon Indian, Dent May's music combines elements of dreamy nostalgia with a contemporary edge. His songs are filled with lush harmonies, infectious hooks, and intricate arrangements that showcase his musical prowess. Whether performing solo or with his band, Dent May never fails to deliver an unforgettable experience.

Having released several critically acclaimed albums throughout his career, including "Do Things" and "Across the Multiverse," Dent May has established himself as one of the most exciting voices in indie pop today. With each new release, he pushes boundaries and explores new sonic territories while staying true to his signature sound. Fans can't get enough of Dent May's unique brand of music that effortlessly blends genres and creates something truly special.

“Full speed ahead now, no more looking back.” Dent May confidently croons on his fifth LP, Late Checkout. The un-nostalgic sentiment and sobering clarity of May’s latest body of work signifies the 35-year-old songwriter from Mississippi taking a reflective rest-stop on the winding road of his now decade-long career.

After relocating to Los Angeles in 2015, touring his last record Across the Multiverse around the world, and building his own Honeymoon Suite Recording Studio with friends Pat Jones and Michael Rosen, May suddenly found himself with the chance to take his time making a record. Through the dozen thematically-linked tracks on Late Checkout, May grapples with the swinging emotions of our contemporary reality with a rare optimism and distinguished sound.

Bearing the torch of classic American songwriters that have inspired him like Harry Nilsson, Carole King, and Randy Newman, May has gingerly cultivated his iPhone note scribbles and subconscious melodies into songs that could stand the test of time. Leaving the comfort of home-recording, May set out to elevate the production quality on Late Checkout while maintaining some intimacy through sparse arrangements. After writing and performing parts for a bulk of the instruments on the album, May filled out his orchestrations by inviting string players, a horn section, background vocalists, and a pair of auxiliary drummers to play on the album. Contrary to the instant gratification permitted by modern home-recording, May made a conscious decision to slow down and pay careful attention to his songwriting on this album. He began to savor the minutiae of his daily life spent wandering around LA, not getting invited to hang with friends, and waking up in hotel rooms after DJing weddings. May drew on these moments in his lyrics and began assembling ballads at his new studio, mimicking the bittersweet tone and consistent work ethic of Motown.

“I’ve been collecting stationery from almost every hotel I’ve stayed at for the past ten years.” May reveals about the album’s opener Hotel Stationary. “I’ve always been drawn to the nature of hotels. I think it relates to this sense of always feeling out of place and my constant wanderlust.” On Late Checkout’s first single, I Could Use A Miracle, May sings about the desperation of feeling down-and-out against a lush and upbeat pop instrumental. The groovy Easier Said Than Done is decorated with bright keys and syncopated drums while May sings about coming to the end of his journey to find love. Sea Salt and Caramel, spilled out of May as a saccharine love song to his girlfriend, adding pure sweetness to balance the record’s melancholy pallet. From beginning to end, May bares his soul on each track across Late Checkout, offering a reluctant goodbye to his former selves, before wandering home.

Late Checkout

Music GB