Name: Mise En Abyme
Brand: Joni Void

Bonus disc

Bonus disc: No

Catalogue number

CST140lp

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

180-gram black vinyl, includes art print poster and MP3 download.

Format Music US

Limited edition

Release date

2019-03-29

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

666561014018

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

CST140cd

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666561014025

{"blocks": [{"data": {"text": "666561014025"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Joni Void

Genre US

Electronic

Label US

Constellation

Joni Void is the artistic persona of Montréal-based French-British producer Jean Néant (he/them), whose output and various projects showcase their interest in experimentation, improvisation, collaboration and multi-genre explorations. Self-described as ‘cinéma-tek/cameratronica’ music, the montage-based production of Joni Void incorporates elements of electronic and sample-based beats, rap & hip-hop, psychedelia, musique concrete, plunderphonics, ambient, drone, glitch, minimalism & electro-acoustic/improvised music. By way of their platform Everyday Ago, Joni Void have extended their sound practice into other collaborative and live-based projects.

Néant’s sound-world began developing in their early teens. A self-taught producer hailing from Lille, France and operating under the moniker ‘johnny_ripper’, they displayed unprecedented dexterity with remixing and sampling as well as a singular style of composition on piano keyboards and other virtual instruments; engaging purely online with DIY artists-communities; with no knowledge or intention of performing live; limited knowledge of the music industry at large. Released in August 2011,Néant’s first official album Soundtrack for a film that doesn’t exist accurately describes their style and modus operandi.

The johnny_ripper project shifted drastically when Néant moved to Montréal at the end of 2012 to pursue film studies. They found personal meaning and sol

Mise En Abyme is the second full-length by Joni Void, the avant-electronica project of France/Canada producer Jean Cousin, following his acutely accomplished and acclaimed 2017 debut album Selfless. Available here on 180-gram black vinyl including art print poster and digital download, or CD in custom mini-gatefold paperboard jacket.

Mise En Abyme refers to the aesthetic technique of putting a copy within the work itself, a story within a story, as a metafunction that aims to reflect the object back onto the perceptual subject in an explicitly conceptual way. Cousin also plays upon the literal etymology of the term — “placed into abyss” — invoking the recursive neuroses of identity and self-consciousness, the lacuna of seeing/being-seen and projection/introspection; the metaphoric standing between two mirrors, plunged into spatio-temporal disorientation through reflections multiplied to an impossibly infinite vanishing point.

Consistent with Selfless, the primary raw material for the sample-based cut-up songcraft on Mise En Abyme is Cousin’s recordings of the voices of various friends. His self-professed body/voice dysmorphia and search for the disembodied-yet-emotional transcendent subject continues to mandate the use of other (mostly wordless) voices in the construction of his sublimely affecting electronic-minimalist compositions. But where Selfless was a restless, kinetic and visceral work of outer projection, Mise En Abyme is markedly more introspective and meditative – explicitly in search of intimacy and recuperative beauty.

Grappling with a cascade of heartbreaks and discontinuities over the past year, Cousin also calls the new album a “time-travel experiment”, as he culls sounds from devices and sources spanning childhood to the present (phones, cameras, video games, home movies) to retrieve and reframe subjective memories, histories and “regressions through former selves” by way of immersion in the evocative potential of the mostly wordless voices of others. The resulting sonic portraits simultaneously convey formally abstract dislocations and highly emotive warmth, interiority, humanity and specificity. Side A especially highlights these works – the “with people” half of the album, replete with contemplative, melancholic songs, each featuring a deconstructed performance by a different female voice, propelled to varying degrees with additive rhythmic and textural layers. Side B is the “isolation” half: vocal samples continue to make appearances, including Cousin’s own voice on the vertiginous “Voix Sans Issue” and his own lyrics on the computer-narrated text-to- speech spoken word of the confessional “Deep Impression” – but the contrasting vibe is more claustrophobic, anxious and febrile. Mise En Abyme ends with a throwback to Cousin’s pre-Joni Void keyboard-based works as johnny_ripper on the gorgeous Rhodes piece “Persistence”, while the closing exuberant maximalist jam of “Resolve” fittingly samples every previous song and locks the album into a self-referential recursive sequence.

LP+ - 180-gram black vinyl includes art print poster and MP3 download.

CD - Standard CD in custom mini-gatefold jacket.