Name: Getaway
Brand: The Clean

Bonus disc

Bonus disc: No

Catalogue number

CD 50188 M

{"blocks": [{"data": {"text": "CD 50188 M"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

{"blocks": [{"data": {"text": "CD"}, "type": "paragraph"}]}

Format Music US

Limited edition

Release date

2016-12-02

Signed copies

Signed copies: No

Supplier US

Tax rate US

Sales:8.875

UPC / Barcode

673855018829

{"blocks": [{"data": {"text": "673855018829"}, "type": "paragraph"}]}

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

The Clean

Genre US

Rock-Pop

Label US

Merge Records

The Clean is an indie rock band that was formed in Dunedin, New Zealand in 1978. Although they originally disbanded in 1982, they made a comeback in 1988 and continued to tour sporadically thereafter. Tragically, drummer Hamish Kilgour passed away in December 2022.
During the years when they were not active as a band, The Clean continued to release songs, including rare tracks and live recordings. Their influence can be seen in bands such as *The Bats* and *The Verlaines*. In recognition of their contributions to music, The Clean was inducted into the New Zealand Music Hall Of Fame in September 2017.
If you enjoy the music of *The Bats*, *The Verlaines*, or other artists like *David Kilgour* and *Tall Dwarfs*, then you will definitely appreciate the unique sound of The Clean.

2001's Getaway may be the best illustration of whatever mercurial, inexplicable musical power animates The Clean. After the band's initial rush of activity between 1978 and 1982, the trio lay dormant until the end of the '80s, when a string of reunion shows inspired the Kilgours and Scott to start recording again. After three well-received albums in the first half of the nineties—1990's Vehicle, 1994's Modern Rock, and 1996's Unknown Country—The Clean disappeared again until the end of the decade, when another tour inspired another record. While playing gigs across New Zealand in celebration of their original label Flying Nun, David says they brought along a TEAC 4-track quarter-inch tape machine. "As usual, we started jamming and recording, and before you know, we thought we may be onto an LP." Speed and spontaneity ended up defining Getaway. Robert says, "I remember writing 'Silence or Something Else' while the others went for a long walk. It was done by the time they got back. I probably would have gone for a straighter version, but I still like it." David remembers, "Hamish wrote the instrumental 'Jala' in about five minutes in a motel outside of Turangi." At one point in the process, Yo La Tengo's Ira Kaplan and Georgia Hubley were visiting from America, and they ended up on the record too. Getaway came out in August of 2001, with cover art by Hamish who says that his original artwork was the actual size of a compact disc case. After that, The Clean set out on another tour—including in New York City, where they happened to be during the terrorist attacks on 9/11. They coped with the tragedy by playing gigs with their American friends, and staying in the same creative space they'd been in since before they started working on the album. "I remember we did some great gigs on the New Zealand tour, debuting some of the new material," Hamish says. "'Stars' was a favorite for the big 12-string sound." A live version of the pulsing, soaring "Stars"—along with a couple of other Getaway songs and Clean classics like "Fish," "Side On," "Quickstep," and "Point That Thing Somewhere Else"—appear on the rare 2003 album Syd's Pink Wiring System. That record is included with the Getaway reissue, along with the more experimental, piano-driven EP Slush Fund, from the same era. These bonus tracks reinforce the idea of the Getaway-era Clean as especially plugged in, generating inspired and beautiful music almost on instinct. Indeed, they've done justice to a key album in The Clean discography—a record that honors the band's origins as garage-rock-loving New Zealand kids, excited just by the hum of a good, cheap amplifier. Songs like the twangy, easygoing "Crazy," the jaunty acoustic snippet "Cell Block No. 5," and the trance-inducing "Circle Canyon" are more fine examples of Scott and the Kilgours' interest in immediacy and a strong vibe, applied to catchy melodies. "Each album is a completely different beast," Robert says. "We all change in different ways between each one, bringing different things to the table, and sometimes bringing nothing much at all." But if Getaway proves anything, so long as all three members of The Clean are in the same space at the same time, anything can happen.

Getaway

Music US